Luka Doncic Joins Inside the NBA Crew After Dallas Mavericks Advance to NBA Finals 🤠 | NBA on TNT from halftime Watch Video

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MINNEAPOLIS — Luka Dončić drilled an electrifying three-pointer over Rudy Gobert with three seconds remaining Friday night at Target Center, and the Dallas Mavericks rallied from an 18-point deficit to shock the Minnesota Timberwolves, 109-108, in Game 2 of the Western Conference Finals.<br/><br/>With the victory, the Mavs were able to win both games to open this series on the road, and now hold a commanding 2-0 lead in this best-of-seven series. In the history of the NBA, teams that emerge victorious in the opening two games of a best-of-seven series go on to win that series 92.5 percent of the time.<br/><br/>The series now moves to Dallas for the next two games, where the Mavs can close it out and advance to the NBA Finals for the third time in franchise history. Game 3 is Sunday at 7 p.m. and Game 4 is Tuesday at 7:30 p.m.<br/><br/>With the Mavs trailing, 108-106, Minnesota guard Anthony Edwards turned the ball over with 12.8 seconds remaining to set the stage for the heroic moment by Dončić.<br/><br/>“Once we got Luka the ball we wanted to give him space and let him do what he does,” coach Jason Kidd said. “With him attacking the paint over and over, Rudy has to honor that.<br/><br/>“The play was to get Luka the ball and let Luka do what Luka does in those moments. We talked about taking the two, because we were only down two. But when he got to dancing with Gobert, you could see that the step-back (three-pointer) was coming and the rest was history.”<br/><br/>Dončić finished the game with his fourth triple-double in the last five games as he collected 32 points, 10 rebounds and 12 assists. On his game-winner, Dončić said:<br/><br/>“I just saw some space and decided to shoot a three. At some point we were down 18 on the road, which is insane to come back from.”<br/><br/>The Timberwolves had one last chance to pull out the victory, and they got the ball in the hands of the player who had the hottest hand for them on Friday. However, Naz Reid’s three-pointer at the buzzer was unsuccessful, and the Mavs were jumping for joy knowing that they’re just two wins away from reaching the NBA Finals.<br/><br/>Besides Dončić, the Mavs got 20 points and six assists from Kyrie Irving, 16 points, five rebounds and five blocks from Daniel Gafford,14 points and nine rebounds from Dereck Lively II, and 10 points and five boards from P.J. Washington.<br/><br/>Reid, who made 7-of-9 three-pointers, paced Minnesota with 23 points, and Edwards collected 21 points, five rebounds and seven assists. Also for the Timberwolves, Mike Conley finished with 18 points, five rebounds and five assists, Gobert had 16 points and 10 boards, and Karl-Anthony Towns added 15 points and seven rebounds.<br/><br/>Minnesota built as much as a 58-40 lead with less than four minutes left in the first half before the a pair of dunks by Lively, a hoop from Doncic and another basket by Josh Green to close the gap to 60-48 at halftime.<br/>
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Frame rate matters and anyone who tells you otherwise isn’t paying attention. From the creative aspects like slow motion, to the practical considerations like being able to mix frame rates in the edit — the amount of frames per second you shoot matters. In this video, we’ll answer the following questions: What is frame rate? Does frame rate matter? And what frame rate should I use for video? This is the Ultimate Guide to Frame Rate Explained.<br/><br/>FPS Explained: Frame rate is measured as frames per second (fps), or the number of still images captured by the camera or presented by the projector every second. For decades, the standard frame rate (what some call the cinematic frame rate) has been 24 fps. Since digital cameras came into the picture the frame rates commonly run at 30 fps, 60 fps, or even 120 fps. Since the number of frames per second has a direct relationship with the “smoothness” of the motion, you might assume that a high frame rate is always better. But it all depends on the look you’re going for.<br/><br/>They call 24 fps the cinematic frame rate because it “looks” like movies do. The amount of motion blur associated with that particular frame rate can be achieved in digital formats, which is an aesthetic choice many videographers make. With The Hobbit, director Peter Jackson chose to shoot and present the films at 48 fps to create a more immersive 3D experience. More recently, director Ang Lee topped that with films like Billy Lynn’s Long Halftime Walk and Gemini Man at a whopping 120 fps.<br/><br/>Some filmmakers have gone the other direction, away from “smooth and perfect” motion to something noticeably jagged and smeared. Directors like Wong Kar Wai, Tony Scott, and Quentin Tarantino have used a process called step printing, in which they shoot as low as 6 fps and “copy/paste” each frame 4 times to create 24 fps. Along with an open shutter, we get a normal rate of motion but with the look and feel of slow motion. <br/>No matter if you’re working in cinematography or videography, frame rate matters. As you build your shot list and storyboard, remember these considerations and how frame rate works. Frame rate, like every other creative decision, has a direct impact on the finished product. What is frame rate? An opportunity to use the tools at your disposal to tell more immersive and memorable visual stories.
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