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Violens Fuzz Triple Fuzz Effect : Classic Disto Fuzz, Octa Fuzz and Synth Fuzz - Max For Live device
⏲ 2 min 14 sec ✓ 01-Sep-2015
Invasion Trailer
⏲ 1 min 14 sec ✓ 15-Dec-2014
Audio Theory - Compressor
⏲ 1 min 47 sec ✓ 01-Mar-2014
Rainbow Fountain - Mexica HD
⏲ 3 min 33 sec ✓ 14-May-2010
Solar Radio, Absolute Value of Noise and Anna Friz (2002)
⏲ 59 sec ✓ 20-Sep-2022
Demo of synced wet and dry mix in Jamoma audio model
⏲ 23 sec ✓ 02-Jan-2014
Signals Soundscape and Sound Design Replacement
⏲ 3 min 27 sec ✓ 19-Feb-2019
Black Rooster AudioEdelweiss`72 Introduction
⏲ 89 sec ✓ 16-Dec-2018
Busy Signals
⏲ 1 min 72 sec ✓ 08-Aug-2010
Headroom in Headroom, Gain Staging & Clipping in 32 Bit Digital Audio [Mixing Tutorial]Digital Audio Vimeo
⏲ 10 min 22 sec ✓ 10-Apr-2019
lucky one - Slow Magic (Chillout Live Rehearsal)
⏲ 3 min 66 sec ✓ 01-Jul-2014
Flanger
⏲ 3 min 1 sec ✓ 17-Nov-2015
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_violens-fuzz-triple-fuzz-effect-classic-disto-fuzz-octa-fuzz-and-synth-fuzz-max-for-live-device.webp "Combination of 3 fuzz effects : classic disto/fuzz, octa-fuzz and fuzz synth. Use them independently or mix them together. DISFUZ one allows you to design sounds from soft distorsions to noiy clipped fuzzes. OCTAHARD acts as a kind of hard octaver and its signal can be send to the ZYNTH. This one tracks the pitch from audio input and use it to feed 3 oscillators with independent octaves options. When sending OCTAHARD to ZYNTH, its signal mixes with Audio In to produce perturbation and feedbacks")
_invasion-trailer.webp "Invasion is an interactive installation where the movements of those entering the space represent visual content that is sampled, manipulated in real time, and projected on to a series of layered screens.In essence, “invaders” become both the performers and interpreters of the installation’s content. They experience an endless feedback loop where they witness their moving bodies, respond (or not) to the projected images, and thereby generate further content for their experience.Each")
_audio-theory-compressor.webp "In this video we will be looking at an overview of a compressor. Please check out our other church technology videos available at academyav.com nnIn this video, we are going to look at an overview of compression.nnCompressors are very valuable as they allow us to reduce the dynamic range of a signal, which is the difference between the loud and soft parts of a signal. By compressing different amplitudes closer together we are able to create a more level mix. So let's take a look at the compresso")
_rainbow-fountain-mexica-hd.webp "The Rainbow Fountain animation is composed by Don Renaro using the J3D softyware developed by Jos Mulders. The animation responds to the music (Mexica - Cusco) and to keyboard commands. It can also be used as a VJ installation at live concerts and respond to line input signals. The embedded input mixer makes it posible to mix the audio controls with brainwave signals of the MindSurfer neurofeedback hard en software from The Mind Connection.")
_solar-radio-absolute-value-of-noise-and-anna-friz-2002.webp "Some years in the future, or perhaps in a surplus version of the present, a solar-powered artificial intelligence wakes with the sun. Its body is a small radio tower with solar cells and a modest signal. With sufficient solar intensity it powers up and responds to the environment, playing with simple AI sound synthesis algorithms in an attempt to imitate and broadcast what it senses nearby, such as insects, birds, frogs, wind, falling rain, changing weather, or magnetic phenomena. It hums and si")
_demo-of-synced-wet-and-dry-mix-in-jamoma-audio-model.webp "This is a demo of how wet and dry audio signals are synced in a spectral processing Jamoma audio mode. The video accompanies the following blog post at the Jamoma web site: http://www.jamoma.org/blog/2014-01-02-synced-mix/")
_signals-soundscape-and-sound-design-replacement.webp "Directed by Mayar NourinAll the soundscape was taken out and replaced by me (SFX, ADR, Foleys, Sound Design, Mix) nI, also edited the video.nnYou can check out my website :nwww.arianbenitezg.comnnMusic Composed by : Franz J. Bierschwale TytlernCheck his website:www.fjbt-audio.com nnThis is the link to the original video:nhttps://www.youtube.com/watch?v=eiW1G47wTHA&t=1s")
_black-rooster-audio-edelweiss72-introduction.webp "Black Rooster Audio is excited to present the Edelweiss‘72, a highly dynamic mixing toolchain, that allows surgical modifications to any signal or mix that might sound limply, needs subtle tweaking or a decent finish. Where in the input stage you are able to expand the signal, that might be stressed by over-compression or needs a wider dynamic range, you can EQ your signals in 5 static bands, with linear-phase filters in regular stereo or M/S mode. A final compression/limiting stage will finis")
_busy-signals.webp "Video and audio mix: Steve LaytonnMusicians: Kavin Allenson, Roger Sundström, Jukka-Pekka Kervinen, Bruce HamiltonnImprovFriday, Aug 2010nimprovfriday.ning.com")
_headroom-in-headroom-gain-staging-amp-clipping-in-32-bit-digital-audio-mixing-tutorial-digital-audio-vimeo.webp "Free Ableton Live 10 Mixing Template: https://www.warpacademy.com/free-ableton-template-vespers-ableton-production-and-mix-template-for-ableton-live-10/nFree Course on Ableton Live 10: https://www.warpacademy.com/store/warp10/ nFree Course on XFer Serum: https://www.warpacademy.com/store/sound-design-secrets-in-serum/nnSkip to somethin:nn0:00 Intron1:44 Do you need 6 dB of headroom?n2:29 Where the -6 dBFS target came fromn3:54 Why some experts are saying to leave headroom in your mix & p")
_lucky-one-slow-magic-chillout-live-rehearsal.webp "- Slow Magic on Spotify: http://open.spotify.com/track/05d1lkgqJwyiOJEQdpFak7n- Download the mp3 for this version: https://dl.dropboxusercontent.com/u/7398980/lucky%20one%20-%20Slow%20Magic%20%28Live%20Rehearsal%29.mp3nnThis is my super hyper chillout track")
_flanger.webp "A transmedia study of Robert CahennnThe first half of this video is an imitation of an excerpt of Robert Cahen's 1980 video work “Glimpse”, and the second half is the continuation of it according to my understanding.tnn“Glimpse” to me is the spectacle of a mindless walk in which what happens around stay as a hollow visual. Things are being looked at but not viewed while memories are recalled or mind is emptied. But Cahen’s walk is not like my usual walk in which my emotion is usually n")
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